For a confidential project in Morocco, architect Mounia Radouane called upon Samir Mazer with one intention: to give a new soul to an entrance hall.
His work Pliage was adapted to become a sensory line that circles the entire room — a bas-relief that answers the space in infinitesimal vibrations of light. Neither decoration nor ornament, but a threshold transformed: the first thing felt upon entering, the last thing carried upon leaving.